Its high pitched synth melody, deep bassline and back and forth between Snoop and Dre add up to one of the most recognizable tracks in all of rap, cementing Dr. The Chronic's crown jewel, and arguably the king of all G-Funk, is the iconic Nuthin' but a ‘G' Thang. Lil' Ghetto Boy and A N**** Witta Gun (the only track on which Dre is the sole artist) outline the realities of life for the marginalized and what it takes to survive when you're victimized by those who are supposed to protect you. The largest collaborative effort comes on Stranded on Death Row on which RBX, Snoop, The Lady of Rage and Kurupt sound as if they're taking turns to show their worth as rappers to the man behind the glass screen. The Death Row roster (including Warren G, Nate Dogg, Samara, Bushwick Bill) features heavily, mixing and matching and taking turns to lay down their bars over Dre's beats. Following the album's intro, Snoop's funky, laid back voice is featured on Fuck Wit Dre Day (And Everybody's Celebratin'), cooly expressing the animosity between Death Row and Dre's former team members. The birth of G-funk introduced new faces, most notably rapper Snoop Dogg who provided the answer to Dre's writing concerns after The D.O.C. suffered serious vocal damage in a car accident. Both events signalled the end for one of the genre's most important and influential groups in N.W.A., and the start of a new era in hip-hop. Dre opted to use more live instruments on The Chronic in order to give himself more control over samples, ultimately redefining the West coast sound. Released in December, 1992, this 16 track opus was Dre's debut as solo artist and the first album to be released on Death Row Records, the label he founded with "Suge" Knight and The D.O.C. Dre's The Chronic is so much more than just a rap record.
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No matter how controversial, it remains one of the greatest and most influential hip-hop albums of all time.Purchase and download this album in a wide variety of formats depending on your needs. That framework makes The Chronic both unreal and all too real, a cartoon and a snapshot. Its comic song intros and skits became prerequisites for rap albums seeking to duplicate its cinematic flow plus, Snoop and Dre's terrific chemistry ensures that even their foulest insults are cleverly turned. Yet The Chronic is first and foremost a party album, rooted not only in '70s funk and soul, but also that era's blue party comedy, particularly Dolemite. The Rodney King riots are unequivocally celebrated, but the war wasn't just on the streets Dre enlists his numerous guests in feuds with rivals and ex-bandmates. He sounds utterly unaffected by anything, no matter how extreme, which sets the tone for the album's misogyny, homophobia, and violence.
There was nothing in rap quite like Snoop's singsong, lazy drawl (as it's invariably described), and since Dre's true forte is the producer's chair, Snoop is the signature voice. Snoop livens up every track he touches, sometimes just by joining in the chorus - and if The Chronic has a flaw, it's that his relative absence from the second half slows the momentum. But none of The Chronic's legions of imitators were as rich in personality, and that's due in large part to Dre's monumental discovery, Snoop Doggy Dogg. What's impressive is that Dre crafts tighter singles than his inspiration, George Clinton - he's just as effortlessly funky, and he has a better feel for a hook, a knack that improbably landed gangsta rap on the pop charts. Here Dre established his patented G-funk sound: fat, blunted Parliament- Funkadelic beats, soulful backing vocals, and live instruments in the rolling basslines and whiny synths. Dre's 1992 solo debut, The Chronic, transformed the entire sound of West Coast rap. With its stylish, sonically detailed production, Dr.
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